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Hey Reader, Here's some news from the world of animation!I'm going to see the Glassworker this week! Excited to see a new studio's work. Our news!Complete Animation Portfolio BundleI'm amazed to announced that we are almost entirely out of seats to our annual Bundle that runs from October to mid-February, encompassing the majority of College and Universities application times. Now, there are 3 versions of this program, so here are the current stats:
I've said it before and I'll say it again, please be in touch if you're keen to enroll before the spots fill up! There is a possibility that we'll extend the caps, but only if we can increase our capacity. If interest continues, we will likely offer:
How to get the most out of your sessions with usSince we've had a large influx of students enroll with us for this portfolio season, I wanted to share some strategies that have worked for some of our past students who've been accepted into the top animation programs: Book multiple sessions in advance.It is much easier to give yourself a hard deadline if you book multiple weeks of your one-on-one sessions with us in advance. Don't worry if you need to reschedule them, you can also do so directly from the calendar event in your chosen calendar (Google Calendar or iCal). Since we're in the portfolio season now, I'm also going to ask all students to book by Sunday at noon if they'd like to have a session in the week to come. This allows me to plan my week more effectively (but this will only apply to myself, Garth, not our other instructors). Combine your artworks into one or few filesThis makes each of our sessions together more effective because then I won't have to spend the first 5-10 minutes of each of our sessions together simply arranging your files. This is described in our Homework Submissions guidelines. Also, please don't submit HEIC files — JPEGs or PNGs are it. Make notes during the callWhile I remember to record 95% of all Zoom calls, occasionally I do not hit record. Either way, it is more effective for your learning to write down notes of changes to make to your artwork or your approach towards your artwork as it comes up in the call, rather than relying on the video-recorded zoom call afterwards. The knowledge will be far more present if you're making your own notes while on the call. It can also help to write up your own summaries after the call to help you internalize the information shared. Bring more artwork than is asked forThis is another thing that I say year after year — these animation programs have gotten so competitive that you really need to go above and beyond to get accepted. I've even created an additional list of artwork that you can bring to feedback sessions to help "beef up" your homework. Remember that, even if you're enrolled in a specific course, you can always bring any other work on top of what is required for the course. This is why we have 1 hour feedback sessions (for the 30 min review sessions for individual courses, I can only review the required work for those courses), it allows you bring anything else that you're working on for us to provide our feedback on. Have specifics questions in mind with your homeworkWhenever I'm working on artwork for a client or for myself, I find I always generate lots of internal thoughts along the way. Maybe it's just me, but I find my mind is quite busy while drawing or painting. If this is you too, write down any questions you have about the process while you're making your artwork and feel free to ask during our call. Our sessions together are for you! Remember this — you can talk about anything you'd like that you're experiencing along the portfolio-making journey. Examples: "Does this perspective make sense to convey this scene?", "Does my character look like an anti-hero?", "Is this character original enough to stand out?", "How can I make my storyboard more clear?". All great questions! Book with multiple instructors (NEW)As I've eluded to already, soon we'll have more one-on-one instructors for you to choose from if you're a part of either the Complete Animation Portfolio Bundle or the Sheridan Animation Bundle, and part of the reason for this is that it is so beneficial to have multiple eyes on your work, especially as you get further into the artwork for your portfolio. Each one of our instructors will provide different kinds of feedback — this is great! Try to vary your instructor choice from time to time to hear from a variety of us. This is also useful because we each will have different availability times on our calendars, so if my calendar has limited options for you, there will also be an option that works for you. The Blender Club!Blender Club continues to roll along, and the group has been up to some 3D animation recently!
This is Paolo's walk cycle — nice work Paolo! Just like our Drawing Club, it's never too late to join in on this foundational 3D education! Sign up now and get in on these value-packed lessons! You can even re-watch any of the class recordings you missed.
Some Gifts for You
That's all for now folks! As always, if you have anything you'd like to ask about in this newsletter, don't hesitate to reply — take care everyone! ____________________________________________ Cheers, |
With a genuine passion for supporting young artists, Garth finds immense joy in helping students bring their bold stories to life. Having experienced a similar journey himself, he deeply understands the challenges of aspiring artists and enjoys reflecting on the transformative process of students becoming the artists they were destined to be.
Hey Reader! First off, some animation news! Well, sort of news... but mostly software recommendations! Regular news headlines will resume next newsletter. A great new little software — Interval Viewer by Dylan Choonhachat on ArtStation. I've wanted a simple software like this for ages, and we'll be using it for all of our Figure Drawing sessions next fall for our Complete Animation Portfolio Bundle. It is very simple — it references an image folder on your computer, and then it allows it to...
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